Tina’s been pressuring me to write some stuff recently because she thinks I’m “lazy” even though playing Minecraft is technically writing I’m just saying. We’ve also had Zack down for a few weeks to visit, and between hanging out with the kids, working and keeping the house tidy, I’ve done basically zero writing in the last six weeks. So she’s probably right. Tina also recently said “hey Kris there’s this thing where a bunch of people want to write 52 short stories in 52 weeks let’s go!” and I spit my coffee all over myself. A short story a week?!
So I’ve been setting the backbones for a bunch of short stories recently and in doing so, I notice my protagonists generally seem to be non-heroic or not the main character if you will. It’s a bit interesting so I actually got sidetracked for a while just looking at other stories to see if it’s just because that’s what I’ve read or if I’m subconsciously modeling my writing after someone, but I don’t think so. I’ve got the world I started out of boredom about a year ago that’s stuck with me because I love it (and my wife wrote a 60,000 word novel in it that she almost finished because she doesn’t care about my mental well-being) so naturally my stories are based there – but even when I’m thinking of other ideas, the only type of story that I write the main character as the important person is in horror stories. Nobody is going to be scared if you write:
“and then she received a phone call. It was the police! They said her *related person* was in a car accident and there were ghostly scrapes on the car door!”
Well maybe those types of stories aren’t interesting and that’s why nobody writes them, but I know I can’t be the only one! I’m thinking of famous big sellers like The Hunger Games (face of a revolution) or Harry Potter (he killed the bad guy as a baby AND an adult); but also the lesser known books too, like one I’ve mentioned previously the Enchanted Forest series (smart princess who’s amazing.) I know a lot of protagonists start as the underdog and then are the hero by the end, but that counts too. I added a story a month or two ago about an innkeeper who was assailed by a bad wizard dude – he’s just a dude trying to get by, then the two magic dudes come fight it out in his inn and burn it to the ground. By the end of the story, he’s still just an innkeeper.
I probably won’t ever make a full-length project out of a supporting character – it would be incredibly frustrating. Even in the story I just mentioned, I was thinking “maybe I should write about this wizard he seems awesome” – I think this sort of thing would be good only as supporting stories or something to tease an audience about how super great the main character for your actual novel is going to be. Each time I set up a short story, it’s a side-person: a kid who needs help with a curse seeking out a witch doctor, an innkeeper getting dragged into an evil wizard plot. This probably stems from the fact that writers are usually notorious for only worldbuilding as much as they actually have to, so I’m always finishing up books like “No! Go back to the swamp why were the snakes on fire! Teell meee!” I’m pretty drawn into side details and background information and I think side-characters are a good way to explore these without detracting from some grand quest to save the world.
Oh man, I got distracted again, there’s no way I’m going to be able to fit 52 short stories in 52 weeks DO THESE PEOPLE NOT HAVE CHILDREN!