in which Kris spends a lot of time talking about races. Fantasy races.

Kris here,

I’ve been doing some thinking-about-but-not-actually-doing writing lately (52 stories in 52 weeks HOW?!) and I’ve been lightly re-designing that world of mine Tina made her story in previously. Which is fine, except she’s already written a story – so I’m stepping through my own minefield of consistency demanding my own creation to change, but stay consistent with what’s already been written. Phew. And don’t pretend a single one of you isn’t thinking “haha you definitely screwed something up.” Yeah I know it, that’s fine though. Designing the world and the history is my forte, it’s the sitting down to plot that I’m not really fabulous at.

Let’s stay on track here. I do some light outlining or thinking oftentimes while either listening to a podcast (which is highly distracting), or just listening to music without words to bog me down. While thinking about races to use in the world a lot, and I mean A LOT, of people have some strong opinions on what kind of beings you use to populate a world you’re crafting up for yourself. I don’t know if any of you have strolled down that path, but let me tell you: it’s a rivalry. Not mine, I mean. But one nonetheless. When making flora and fauna to throw around – probably in attempt at murdering your main character somehow – I don’t actually see any pushback as far as I can tell. Throughout all my podcasts and researching the answers to different kinds of problems though, I’ve definitely seen some clear lines drawn in the sand.

“Hey guys, I’m building a story around a guy who has superpowers and there’s a flower grown at the castle that actually shoots laser beams like cyclops from x-men and if it detects superpowers like in the protagonist, it’ll CALL DOWN LIGHTNING AND SET THE CASTLE ON FIRE TO PREVENT ESCAPE” and everyone around is like “oh yeah man that sounds pretty good, I like the bit about fire you added in there.”

The problem seems to revolve specifically around just the sentient things, and more specifically, anything they have to put themselves into the minds of. Protagonist, supporting characters, antagonist, kings, street sweepers – whatever, doesn’t matter.

“Hey guys look at my protagonist is a human but I made his best friend a dwarf see and they grew up because the dwarf’s dad is a master blacksmith and adopted the MC when he was a street urchin so they’re like brothers!” and you’re going to run into one of three people.

*disclaimer: listen, I know there are billions of people in the world and it’s likely there are mixed opinions or even more varied contrasting types that I’m not including in my three. You’re very special to me and I don’t mean to slight you, but these three are blankets I’m casting over the fantasy community because nobody is going to read my segment on how you’ll meet one of sixteen thousand people. Not even me!

-continuing-
So one of three people. You’ve got the humans camp – “oohhh maaaan I’m so sick of all these fantasy races, they’re so bland and boring – bunch of tropes and idiot ideas to deuce ex machina your way into not having to think about relationships and junk. Just use humans! Jeez you’re one of them, what are you, ASHAMED!” I don’t want to take any sides here since I don’t really have a horse in this race, but I think this is my least favorite position. This is actually a position I’ve heard several of my favorite authors make too – why complicate the story with extra details for your readers to memorize when you can simplify the world as much as possible and focus more on the individual characters themselves. The towns, kingdoms, relationships, a sufficiently complex world shouldn’t really need fairies and elves to attract interest.

The second group you’ll run in to is the crowd who’s actually super excited about classical fantasy races. A lot of arguments I’ve seen in this realm are actually happy to include all the classics in a story, but really aren’t interested in non-human protagonists. It’s probably something to do with empathy and trying to fit your head into something you aren’t. I get that, it can be tricky to suspend your disbelief when there isn’t enough familiar material to ground yourself with. There’s actually a second “net” I’m going to cast over this group too – there are a lot of people who are just so freaking bored of humans that they refuse to include them, or they do so in the most minimalistic way. Honestly, I was this type in my early teens – I played all kinds of those tabletop games, but I can’t think of a single time I wanted to play a human. They were so boring and mundane, can’t even see in the dark. Useless! I think the draw in classical fantasy is primarily that a lot of the tedious groundwork is already fleshed out, so you can spend less time balancing your people and more time finding ways they can just rampage around accidentally murdering things off. Most writers seem to want to splice their own flavor to make the races unique, but it’s always only to an extent where the reader can identify quickly and easily.

The third set is of course those people who prefer fantasy, but you have to make it up yourself. No cheating using pre-fabricated races and worlds and the like. The first group (humans only) actually have a section hiding in it of people who will demand humans only, but if you have to do fantasy, then at least make up your own stuff. There are some pretty good reasons to do this too – more creative license to do what you want without people calling you out for breaking the standards. You can also have a bit of fun as a writer doing this too: you need to name an ugly, evil race of stupid jerk monsters and you have a terrible co-worker who think is a stupid jerk? Well it looks like you got yourself a name and a description! This can be a challenging sort of adventure to set out on though, since nobody is familiar with anything in your story in this case – this means you’ll need to concisely elaborate on descriptions and cultures in sneaky ways (lengthy descriptions are demanding on our attention spans) as well as somehow force the reader into taking your protagonists side in order to really feel what you want them to. If writing weren’t challenging in some ways though, I have a feeling a lot fewer of us would decide to bother.

I think there are definite merits and detriments to whatever you choose, otherwise there would be a lot more uniformity in the writing community. That would make everything a lot more boring though. There’s no way I could motivate myself to read the 80th book in a row in the same genre with the same races and the same timeline. I would probably… well I don’t know, but it would be bad! I don’t really want to list out the pros and cons since this is getting really long anyway, but maybe I’ll throw it together in the future. I just have to decide if I want to make it about an elf, a human, or a race of super intelligent rats with wolverine claws and a penchant for vengeance.

Author: keyboardcouple

A couple who write and learn in front of their keyboards.

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