In which Kris ends things

Kris here,

I’ve been spending a lot of time lately practicing writing short ideas in a concise format. See, I’ve got about a billion ideas in my head just like everybody else, and I can start them off pretty dang well. We’re talking ideas for days here. But I’ve been tripping up around the 50-60% mark on the whole actually having a plot thing. I’m like oh man this is fantastic my main character is A BOSS! And Tina’s like “but Kris what’s he bossly doing” and I’m like “well look he just set a landslide on fire and threw it at an army” and she’s like “oh yeah. Okay but why did he do that?” So of course because it’s an ARMY hello!? But what’s it doing, why’s my guy caught up in it? PSH! Who cares we need more fire in here! “How does it end?” Uhh well I suppose he just, I don’t know he wins a medal and lives in a castle.

Okay that’s not a real life example but I feel it’s exaggeratory enough to get the point across. I have to combat my lack of forward progress or my actual weak point in writing: Ending. The. Story. These things ramble on forever, like holy cow man put a lid on it already! I get exhausted reading through my own notes a week later. This is a problem of course – if you can’t read your own work, who else is going to put out the effort? So I did what any rational adult in my place would do and I just Googled around for like an hour looking for an easy way out.

Ugh, turns out there’s no easy way out. Well there might be, but the people with those secrets are greedy. All the advice I found regarding “How to end my goddang story” revolved around things like “5 ways to end your story. Number 7 will wig you out!” There’s probably a lot of good info out there, but my attention span is basically a knock knock joke and sometimes it’s easier done than said.

I ended up devising a cool practice to help me out. Yeah you guessed it – I just wrote a bunch of endings. I got a (basically) brand new notebook and a pen, and I wrote a brief concept and wrote a plot and ending immediately. Okay, the first try was ten pages long. That’s why it’s practice! I’ve got another few 8-10 page ideas thrown around in various places – I haven’t actually kept them together, that would be silly. The last few days I’ve actually managed to piece together a few one or two page ideas in an outline-able format. This might seem like a trivial issue to both accomplished- and non-writers, but remember: nobody reads stories for the beginning. I’ve never chatted up a fellow reader like “boy this book sure started out amazing. I’m going to spread the word, but just about the first 50 pages!” No way- they’re doing this for that sweet endorphine rush at the end. You gotta nail that bit.

There are probably quite a few authors and writers hanging out here thinking to themselves “Wow this guy is really dumb. I write 100 pages a day, it’s pretty easy.” I totally agree, kudos to your monstrous efforts on the 100 page thing, that’s really good. Lots of people I talk to personally or threads I read through on writing forums are all about how to move a story forward, or I wrote my character into a corner – how do I get out of this?

Try it out sometime – spitting out 300 pages of book into 5 pages is fast, you can write and re-write 20 times with various changes or whatever you want in any writing style that fits your theme. Mine usually don’t include names – the last one I wrote had a main character named “Kid,” supported by two characters named “bro” and “ninja” and the antagonists were “bastardlord” and “gloriousleader.” Of course they were fleeing from the country of THIS to the country of THAT. The important thing isn’t the details of these (hopefully throwaway) stories, it’s the practice you get in resolving those fine details.

Remember, names aren’t important, backstories giving your protagonist reasons to throw flaming landslides at people are important.

Author: keyboardcouple

A couple who write and learn in front of their keyboards.

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